Robby Müller

Robby Müller (April 4, 1940 – July 4, 2018) was a distinguished Dutch cinematographer celebrated for his innovative use of natural light and striking minimalist visuals, often infused with expressive colors. He first garnered attention in the West German film scene through his pivotal collaborations with renowned director Wim Wenders.

Müller’s cinematographic journey began with Wenders' directorial debut, *Alabama: 2000 Light Years*. This marked the beginning of a prolific partnership that produced a series of influential films, including *Summer in the City*, *The Goalie's Anxiety at the Penalty Kick*, *Alice in the Cities*, and the iconic *Paris, Texas*. His lens captured the essence of Wenders' vision, contributing significantly to the aesthetic of New German Cinema.

In addition to his work with Wenders, Müller collaborated with an array of acclaimed directors. His filmography includes notable titles such as Jim Jarmusch's *Down by Law* and *Ghost Dog: The Way of the Samurai*, Lars Von Trier's *Breaking the Waves*, and Peter Bogdanovich's *Saint Jack*. His versatile talent shone through in both mainstream and independent projects, exemplified by his work on *To Live and Die in L.A.*, *Repo Man*, and *24 Hour Party People*.

Müller was recognized by peers for his unique artistry; Paul Thomas Anderson praised him as "the master of night exteriors," while Barry Sonnenfeld and the Coen Brothers admired his work on *The American Friend*. Robby Müller passed away on July 3, 2018, at the age of 78, after a prolonged struggle with vascular dementia, leaving behind a rich legacy in the world of cinematography.