Atman (1975)

Plot

ĀTMAN presents a stunning visual experience, exploring the concept of a subject positioned at the center of a circle formed by 480 camera placements. The filmmaker employs frame-by-frame techniques to create a spiraling motion that intensifies over time. The title references an early Buddhist deity linked to destruction. Elements of Japanese culture are highlighted through the inclusion of Hangan's devil mask from Noh theatre, along with Noh music and the overarching theme of acceleration that resonates throughout traditional Noh drama. The film intertwines spiritual motifs with innovative cinematography, resulting in a captivating artistic expression.