Anne-Marie Cadieux

Anne-Marie Cadieux, born on September 23, 1961, is a distinguished Canadian actress celebrated for her remarkable intensity, fearlessness, and adaptability across various performance mediums, including theater, film, and television.

A graduate of the University of Ottawa (BA ’84), Cadieux began her theatrical journey at the Théâtre de la Vieille 17, later gracing the stage of the National Arts Centre under the direction of André Brassard. Early in her career, she formed significant partnerships with influential figures such as Robert Lepage and Brigitte Haentjens, who guided her in numerous productions spanning both classical and modern works. Haentjens, in particular, entrusted her with pivotal roles that showcased her extraordinary talent, including unforgettable performances as Mademoiselle Julie, Electra, Elizabeth I in *Marie Stuart*—for which she received the prestigious prix Gascon-Roux for Best Actress—and Merteuil in Heiner Müller’s *Quartet*. Additionally, she earned the same award for her compelling portrayals in *La dame aux camélias* (directed by Robert Bellefeuille), Yasmina Reza’s *Le dieu du carnage* (directed by Lorraine Pintal), and Réjean Ducharme’s *Ha ha!* (directed by Dominic Champagne).

Her versatility extends to the screen, where she garnered the prix Luce-Guilbeault for Best Newcomer in Robert Lepage’s *Le confessionnal* and a prix Jutra for her performance in Charles Binamé’s *Lecœur au poing*. Cadieux's notable film appearances include François Delisle’s *Le bonheur c’est une chanson triste* and *Toi*, where she captivates audiences with her commanding presence.

As an artist, Anne-Marie Cadieux exhibits a profound insight into the human condition, embracing vulnerability and complexity while making the most of her exceptional capabilities as a performer.