Maria Michi

Maria Michi (May 14, 1921 – April 7, 1980) was a notable Italian supporting actress recognized for her contributions to the neorealism movement in cinema. She gained prominence through her collaboration with acclaimed director Roberto Rossellini on his pioneering works, "Rome, Open City" and "Paisà."

Initially, Michi began her career as a typist at a law firm before transitioning to the performing arts as an usherette at the Teatro Quattro Fontane in Rome. Her talent was soon recognized, leading to small roles in productions by Sergio Tofano and Diana Torrieri during the 1942-1943 season. Renowned film critic Irene Bignardi noted her close ties to the resistance and the Communist Party, highlighting her commitment to social causes.

In 1948, Michi appeared in Christian-Jaque’s adaptation of "La Chartreuse de Parme." Following her marriage to Duke Augusto Torlonia in September 1949, she shifted her focus from film to theater, particularly under the direction of Guido Salvini. This union was later annulled in 1956.

Michi made a notable return to the silver screen in the 1960s and 1970s, featuring in a total of twelve films, including Bernardo Bertolucci's controversial "Last Tango in Paris" and Tinto Brass's "Salon Kitty," which marked her final cinematic appearance. Throughout her career, Michi left an indelible mark on Italian cinema, celebrated for her versatility and dedication to her craft.